Andrew Angus

Oboe Reed Master Andrew Angus Interview May 2020

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Introducing Australian Oboe Reed Master, Andrew Angus.

Andrew makes about 1,500 reeds a year! (Order them at sweetreeds.com).

Click “read more” below to watch the full interview and you’ll see his eyes light up with delight over a topic that for many oboists, can be a source of great uncertainty and frustration:

CANE!

This interview is in preparation for season 1, session 3 of THE OBOE REED MASTER SERIES. This is a 10-session series which is part of The Dynamic Reed maker, a three month- long intensive reed making training program. This is fantastic new way to dive deep into the reed making questions that have always baffled you. Ask the master! This live and interactive series takes place in the JK Double Reed Making Zoom Reed Room. Each Oboe Reed Master will be joining twice with at least a week between the two sessions. This gives you a chance to digest the topic and try things out so that you can return to the second session to share your own results, ask questions and dive even deeper into the topic. Find out more here.

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Jennet Ingle

Oboe Reed Master Jennet Ingle Interview April 2020

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I interviewed “the 5 Minute Reed Maker”, Jennet Ingle in April of 2020.

Click “read more” to watch the whole interview below and find out if Jennet really can make an oboe reed in 5 minutes. She also talks about emotional detachment from reeds, her Invincible Oboist program and the importance of reed making. 

 

This interview is in preparation for season 1, session 2 of THE OBOE REED MASTER SERIES in April 2020. This is a 10-session series which is part of The Dynamic Reed maker, a three month- long intensive reed making training program. This is fantastic new way to dive deep into the reed making questions that have always baffled you. Ask the master! This live and interactive series takes place in the JK Double Reed Making Zoom Reed Room. Each Oboe Reed Master will be joining twice with at least a week between the two sessions. This gives you a chance to digest the topic and try things out so that you can return to the second session to share your own results, ask questions and dive even deeper into the topic. Find out more here.

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Steve Hammer

Oboe Reed Master Steve Hammer Interview April 2020

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I interviewed Oboe Reed Master, Steve Hammer in April 2020.  Watch the whole interview below. He talks about Bernoulli’s principle, his reed making philosophy, his favorite tools and what, in his opinion, the biggest reed making mistakes are that students make.

 

This interview takes place in preparation for the launch of THE OBOE REED MASTER SERIES starting in April 2020. It is a 10-session series which is part of The Dynamic Reed maker, a three month- long intensive reed making training program. This is fantastic new way to dive deep into the reed making questions that have always baffled you. Ask the master! This live and interactive series takes place in the JK Double Reed Making Zoom Reed Room. Each Oboe Reed Master will be joining twice with at least a week between the two sessions. This gives you a chance to digest the topic and try things out so that you can return to the second session to share your own results, ask questions and dive even deeper into the topic. Please enjoy the interview! Find out more here.

 

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RiG 2019-2020/4 January 2020: College and Careers

Reflecting in Gratitude Series 2019-2020/4

How did LSM impact you in college or in your career?

Attending Lutheran Summer Music unburdened me from the college search. My path emerged clearly, and I enrolled at St. Olaf College, following those LSM teachers and professors, Steve Amundson (orchestra), A. Dwayne Wee (piano), Merilee Klemp (oboe) and others who touched and encouraged me both in my art and also personally. This was my way of thoroughly integrating music, faith and worship into the daily fabric of my life.

I entered college 2,000 miles from home, surrounded by a family of fellow LSM alumni. These are the people who, to this day, challenge me to faithfully share my gifts. These are also the people I proudly stand by, providing support as they share their gifts.

Together we fortify each other so that we can give of ourselves. LSM helped us find our gifts and at LSM we learned it is our joyful duty to share them with each other. We are bonded together in the culture of collaboration, encouragement, and support that is unique to LSM and sets it as a place apart.

For this reason, I am very pleased to be a part of the newly formed LSM advisory council. This new group primarily comprised of LSM alumni will be actively engaged in the the future of LSM, working together on strategic initiatives to improve the program to ensure that all manner of resources including time, awareness, creativity, money and artistry are continually nurtured and replenished. We eagerly anticipate sharing more soon after our inaugural meeting in mid-January.

When the dark clouds move in and doubts and insufficiency loom, we learned at LSM to encourage each other to refresh and strengthen body, mind and soul through music, faith and worship.

The culture of generosity happens at all levels of LSM. At the root of this is the willingness to nestle into the peacefulness of knowing that you dwell in abundance.

For those of you who go into 2020 with rejoicing: remember to celebrate with cries of gratitude, acknowledging your blessings.

For those of you who carry suffering and loss into the new year: remember to anchor yourself with gratitude for the smallest joys: running water, a cup of tea, a kind word, and the comfort of knowing that you have a gift to share.

January 2020

This is number 4 in the 2019-2020 Reflecting in Gratitude Campaign

“We, the LSM alumni remain connected through faith and music. We lived the experience that grew from the mission and vision of our revered founding fathers and mothers. The founders are now passing the torch to us, trusting us to preserve that which most transformed our lives, fold it into the challenges and advantages of our present day, and enable the enrichment of further generations of the LSM community.”

– Jeanine Krause, LSM ‘89-’91

LSM is embarking on a gratitude campaign. Alumni receive a monthly email containing a reflection from Jeanine Krause, alumni-related announcements, and a link inviting you to share your personal LSM stories and what you are most grateful for.

RiG 2019-2020/5 February 2020: The Present Day

Reflecting in Gratitude 2019-2020/5

What impact does Lutheran Summer Music have on you today?

What is so important to you that you would voluntarily drive hundreds of miles (uphill… both ways) in a snowstorm? Ask me this on any ordinary day and I will respond with a resounding NOTHING!

As this new year dawned, one of our fellow LSM alumni lost his wife to illness. In her mid-40’s, a mother, a talented musician, adored by her family and friends, it feels unreal and definitely out of the ordinary that she left this life.

A collective of LSM alumni made our way through blustery winter weather last month to celebrate the life of this beautiful woman, to embrace her husband and children, and to lift our voices and instruments collectively in song at a time when words alone cannot sufficiently express the strength and weakness of the human condition.

On an “ordinary” day it is easy to pretend we are self-sufficient. Faith, expression through music and community are a routine we practice more out of a sense of duty rather than as a matter of life and death.

Those of us who set up a dutiful practice of Faith, Music, and Community, however, are better equipped when days come that are out of the ordinary.

On such days, snow and miles of driving become merely puzzles to be solved on the way as we go about the business of living out our values; faith, music and community become essential. Nothing can bring back what is lost and yet, we are handed the joy of bearing burdens together.

LSM impacts my life because through my experiences there, the importance of faith, community and the healing and celebratory power of music took hold.

February 2020

This is number 5 in the 2019-2020 Reflecting in Gratitude Campaign

“We, the LSM alumni remain connected through faith and music. We lived the experience that grew from the mission and vision of our revered founding fathers and mothers. The founders are now passing the torch to us, trusting us to preserve that which most transformed our lives, fold it into the challenges and advantages of our present day, and enable the enrichment of further generations of the LSM community.”

– Jeanine Krause, LSM ‘89-’91

LSM is embarking on a gratitude campaign. Alumni receive a monthly email containing a reflection from Jeanine Krause, alumni-related announcements, and a link inviting you to share your personal LSM stories and what you are most grateful for.

The Rite of Spring will Not Fail to Slay You

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Do you want to know what existential FEELS like? Any bassoonist about to walk out onto the stage to play the huge solo at the beginning of  Stravinsky’s Rite of Spring can tell you. Just listen to the first few seconds of the video above. Read more

Forget the reed

You know you have a good reed when you waste no mental or emotional energy on it.

I am visited by a wave of inner worry as my colleague pulls out his reed box and opens it. I swallowed as I saw the 24 identical reeds wrapped in the same red thread, all lined up, tidy and looking perfectly respectable and playable. Fortunately, I have a beautifully crafted wooden box with inlay: a gift from friends. My strategy is to let the loveliness of my reed box distract from its contents. In it I have 12 reeds. Each looks different. They are wrapped in yellow, multicolored pastel, burgundy, navy blue. Each has a number scrawled on it (at least I log and keep track of my reeds!). They are different shapes and sizes, some looking a little worse for the wear with Teflon or wire. One or two play beautifully. Strangely, the one that looks pretty raggedy is the one I’m going to grab when the rehearsal begins in a moment. Read more

Reed Hibernation

I maintain the faith that every experience brings some sort of blessing. In this moment, my cheeks are hot and my ears have closed somehow with that narrow noisiness. It is my old fear of incompetence but I don’t recognize it yet. The blessing in this situation is yet hidden, completely illusive for me. I cross my fingers, figuratively speaking, as I open my reed case. It is a very old and stylish, leather bound converted cigarette case, one of those really thin ones, the kind you can’t find anywhere anymore.

Please! I pray silently, let there be a playable oboe d’amore reed in here!

After all these years, if there is a Reed God, she is accustomed to my petitions.

The concert is in one week and the envelope with my music lies ignored and unopened under piles of other music on my stand where I put it two or more weeks ago. A wave of discomfort washes over me as I thumb through the contents of the envelope. Read more

Guinness Book of World Records

With a backdrop of breathtaking Andalusian flair, complete with Flamenco, Spanish hospitality and warm summer nights, the 2018 IDRS Convention took place in the shadow of the dramatic Alhambra palace in Granada Spain. Read more